O’Brien Melbourne in 1839 {1868} SLV [DR]

O’Brien, George (1821-88; Irish/New Zealander) Melbourne in 1839 (c.1853?) Pencil with later additions in pen and ink, 25.1 x 52.6 cm Donated by John Pascoe Fawkner, 1868 State Library of Victoria (H254) According to the State Library, this drawing is “probably a retrospective reconstruction of an 1839 view.” NGV 1905 identifies O’Brien as the artist, and

North A Vesper Hymn {1897} NGV [DR]

North, John W. (1842-1924; English) A Vesper Hymn Pen and ink, black and white wash, on paper, 11.7 x 16.8 cm (sheet) Purchased, 1897 (advice of Joseph Pennell) National Gallery of Victoria (30-2) Like North The Swallows {1897} NGV [DR], this drawing was made for an engraving in Wayside Posies: Original Poems of the Country Life

North The Swallows {1897} NGV [DR]

North, John W. (1842-1924; English) The Swallows Pen and ink and white wash, on paper, 11.5 x 15.7 cm (sheet) Purchased, 1897 (advice of Joseph Pennell) National Gallery of Victoria (29-2) One of two sketches (see also North A Vesper Hymn {1897} NGV [DR]), bought together on Pennell’s advice. Both are identified in NGV 1905 as drawings for

Menzel Man’s Head 1886 {1895} NGV [DR]

Menzel, Adolf von (1815-1905; German) A Man’s Head 1886 Pencil on paper, 20.9 x 12.8 cm (sheet) Purchased, 1895 (advice of Joseph Pennell) National Gallery of Victoria (2-2) Menzel (the “von” was added after he ascended to the nobility late in life), also known as Adolph, was a prolific realist artist whose skills are exemplified here.

May (P.) Last Public House 1892 {1894} NGV [DR]

May, Phil (1864-1903; English) Untitled (“The Last Public House for One Mile”) 1892 Pen & ink on paper, 23.6 x 16.8 cm irreg. (image), 26.7 x 19.0 cm (sheet) Purchased, 1894 (advice of Joseph Pennell) National Gallery of Victoria (p.435.1-1) This sharply-observed sketch exemplifies May’s strengths as a mature graphic artist, after his return to England from

May (P.) The Dane 1890 {1903} SLV [DR]

May, Phil (1864-1903; English) “The Dane” 1890 Pen & ink on white paper laid down on board, 33.2 x 19.8 cm Purchased, 1903 (advice of Bernard Hall) State Library of Victoria (H30384) “Selected by the Director, in Sydney, in 1903,” according to NGV 1905, describing the image as “a portrait of Dean (Monsignor) O’Shea.” This caricature was

May (P.) Loch and Key 1888 {1903} NGV [DR]

May, Phil (1864-1903; English) “Loch and Key” 1888 Pen & ink on paper, 15.2 x 11.8 cm irreg. (image), 21.0 x 13.4 cm (sheet) Purchased, 1903 (advice of Bernard Hall) National Gallery of Victoria (130-2) NGV 1905 describes this drawing, published in The Bulletin, 18 August 1888, as a “portrait of Lord Loch at the time of the opening

Lindsay (N.) My Ancestors 1903 {1904} NGV [DR]

Lindsay, Norman (1879-1969; Australian) My Ancestors 1903 Pen and ink over pencil on paper, 23.7 x 20.0 cm (image), 32.3 x 25.0 cm (sheet) Purchased, 1904 (advice of Bernard Hall) National Gallery of Victoria (193-2) The first drawing by Norman Lindsay bought for an Australian public collection, this work was chosen after Bernard Hall’s initial recommendation,

Leighton Study for Elijah {1897} NGV [DR]

Leighton, Frederick (1830-96; English) Study for Elijah in the Wilderness (c.1877-78) Black and white chalk on brown paper, 17.4 x 16.0 cm (image), 19.2 x 17.5 cm (sheet) Purchased, 1897 (advice of Joseph Pennell) National Gallery of Victoria (38-2) In his introduction to the Annual Report for 1897, NGV Director Bernard Hall noted that this

Laugée Edward Bulwer 1872 {1881} NGV [DR]

Laugée, Désiré (1823-96; French) Edward Bulwer – Lord Lytton of Knebworth 1872 Charcoal, wash and pencil, 25 x 26.8 cm (sheet) Purchased 1881 National Gallery of Victoria (p.168.9-1)  Like a number of other drawings shown in the international exhibitions held in Brisbane and Melbourne in 1880-81, this portrait was made for The Graphic. The sitter (1803-73),

Keene Management 1868 {1892} NGV [DR]

Keene, Charles (1823-91; English) Management 1868 Pen and ink Purchased, 1892 (advice of Bernard Hall) National Gallery of Victoria (p.431.6-1) This sketch was “selected by the Director from the Anglo-American Exhibition in 1892” (NGV 1905, also noting that it was published in Punch). It typifies Keene’s lively graphic style, widely admired in the later 19th and

Keene Interior of a Shop {1898} NGV [DR]

Keene, Charles (1823-91; English) Interior of a Shop Pen & ink, c.11.43 x 16.51 cm Purchased, 1898 (advice of Joseph Pennell) National Gallery of Victoria (42-2) This sketch, in the vein of Whistler, is apparently from a sketchbook. Refs. AR 1898, p.26; NGV 1905, p.64 (II.Stawell Gallery, no.96: as Carpenter’s Shop; size given as 4½” x

Holl The Deserter {1881} NGV [DR]

Holl, Frank (1845-88; English) The Deserter (1875) Pen and ink, brush and grey and black wash, heightened with white over traces of charcoal, 49.5 x 36.0 cm (image), 50.1 x 36.6 cm (sheet) Purchased, 1881 National Gallery of Victoria (p.168.16-1) This was one of the drawings originally made for The Graphic and purchased at the Melbourne

Hodgson The Oban boat {1891} NGV [DR]

Hodgson, John Evan (1831-95; English) The Oban boat (c.1876) Distemper drawing, c. 28 x 43 cm Purchased, 1891 National Gallery of Victoria (p.431.1-1) This work was listed in the gallery’s annual report for 1891 as a watercolour, and catalogued in NGV 1894 as a black and white drawing; the NGV’s current catalogue describes it as a distemper drawing.

Hodges Mallicolo 1774 {1882} SLV [DR]

Hodges, William (1774-97; English) [A Man of] Mallicolo [Maleluka] 1774 Red chalk on card, 65 x 47.2 cm Presented by the Hon.C.J.Ham, 1882 State Library of Victoria (H5274) One of several drawings donated in 1882 as the work of John Webber, but now assigned correctly to Hodges (see references below). This example was made in