Pre-Felton works bought on Eastlake’s advice Bedford (J.) La Belle Yseult 1863 {1864} NGV [PA] Cope The Pilgrim Fathers 1856 {1864} NGV [PA] Folingsby (G.) Bunyan in Prison 1864 {1864} NGV [PA] Herdman The Fern Gatherer 1864 {1864} NGV [PA] Herring Horses and Pigs {1864} NGV [PA] Koller Parting from Betrothed 1864 {1864} NGV [PA] Mogford Watergate Bay
Pre-Felton works after Cortona Strange after Cortona Caesar putting away Pompeia {by 1868?} NGV [PR] Strange after Cortona Romulus and Remus {by 1868?} NGV [PR] Berrettini, named after his home town of Cortona, was equally successful as both architect and painter in Italian High Baroque Rome. His achievements have been overshadowed to some extent by the
Works after Correggio included in this catalogue Coates after Correggio Marriage of St Catherine {1899} NGV [PA] Picart after Correggio Allegory of Vice 1676 {1879} NGV [PR] Picart after Correggio Mystic Marriage of St Catherine {1879} NGV [PR] Picart after Correggio Virtue Triumphant over Vice 1672 {1879} NGV [PR] Placed on a par with Leonardo
[photo: Eric Thake (1904-82): Gallery Director or “This way to Phar Lap” 1954 (NGV 1422-5)] A member of a talented and influential Victorian family, Daryl Lindsay was the younger brother of artists Lionel Lindsay (1874-1961) and Norman Lindsay (1879-1969). Following a short period as Keeper of Prints at the NGV (1939-41), he was appointed NGV